Sonalksis Plug-ins Sonalksis Plug-ins are one of the industry’s ‘best kept secrets’. I often run Elephant on 8x multisampling as a safety net, with no input or output gain at the same release setting as Multilimit just to make sure there are no intersample peaks. And Virtual Effects) - VST Plugins, Audio Units (AU. One thing I dislike about Multilimit though is it's lack of oversampling.
Sonalkis stereo tools psp#
I still use Voxengo Elephant as my main go to tool, but recently used MultiLimit on 7 tracks from a 10 track album I mastered for someone else and they loved the sound *I gave them a blind A/B/C mix with MultiLimit, PSP Xenon and Voxengo Elephant for 3 tracks, they chose MultiLimit ahead of the others on 2/3 tracks and placed it 2nd on the other track*. It also rocks at bringing old stereo cassette mixes to life with the multiband options.
Then again, many people use an L2 and that is one of the least transparent limiters of all, so many people are used to the colour that gives in that genre. Then again, for your average boom-boom-boom-boom 4 on the floor, bass heavy, heavily volume maximized dance tracks, this would obviously not suffice, and it is less transparent when smooth is less than 25% and the release time is less than 20ms. It can actually be very transparent, almost too much so, when you set a long release time, with the smooth function turned up past 80 and the 'soft' button turned in, it really preserves transients. I had that opinion at first too on MultiLimit, but as I have used it more, I have really grown to like it. Not recommended for mastering ironically (IMVHO of course). Their limiter is one of the least transparent ones I've tried, and starts pumping very early on. But I was really unimpressed with the mastering suite except for the stereo tools. Mono playback is one of course, but too much and it'll just sound weird on most people's playback system too.īTW, I love the early Sonalksis plug ins, and use the SV-517 a LOT.
Sonalkis stereo tools free#
In that case, Vonxengo has a free M/s decoder, and most of their plug ins can work in m/s mode.īut as was mentioned, be careful doing this, there's often times more issues that you make than solve when you start manipulating the stereo width. When that's not an option, I'm more likely to decode the file to m/s, apply processing, then re-encode it to stereo again. I can think of maybe one time in the last 2 years I had to? Usually I'll just work with the artist to suggest some fixes they can make in the mixdown to solve the problem, and then they resend me the file. Pretty rare I need to mess with the stereo imaging in a tune when mastering to be honest. 33tetragammon wrote:great,thanks Tarekith.ītw,what do you use for a task like this? Overview StereoTools is a complete stereo imaging, metering and manipulation tool, providing detailed visual feedback of frequency, phase and positioning information.
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